Chords
- Standard version, transcribed by akoustic
- Chords for They Don’t Know with Capo on 2nd fret, transcribed by John Meranda
Lyrics
You’ve been around for such a long time now
Oh maybe I could leave you but I don’t know how
And why should I be lonely every night
When I can be with you
Oh yes you make it right
And I don’t listen to the guys who say
That you’re bad for me and I should turn you away
‘Cos they don’t know about us
And they’ve never heard of love
I get a feeling when I look at you
Wherever you go now I wanna be there too
They say we’re crazy but I just don’t care
And if they keep on talking still they get nowhere
So I don’t mind if they don’t understand
When I look at you and you hold my hand
‘Cos they don’t know about us
And they’ve never heard of love
Why should it matter to us if they don’t approve
We should just take our chances while we’ve got nothing to lose
Baby
There’s no need for living in the past
Now I’ve found good loving gonna make it last
I tell the others don’t bother me
‘Cos when they look at you they don’t see what I see
No I don’t listen to their wasted lines
Got my eyes wide open and I see the signs
But they don’t know about us
And they’ve never heard of love
No I don’t listen to their wasted lines
Got my eyes wide open and I see the signs
But they don’t know about us
And they’ve never heard of love
Commentary
Stiff had Croydon’s Drug Addix in to do a demo session, but weren’t convinced by the results; when they heard that Kirsty had left the band (“just because it wasn’t any good. It was pretty awful, and I was the token girl”), she was invited back. “‘We’d like you to come and play us anything you’ve got.’ I said, ‘I thought you didn’t like the demos;’ and they said ‘We hate the band, but we quite like you!’ When they asked if I had any songs, I said ‘Oh yeah, loads!’, even though I didn’t at all. Then I thought, ‘Oh God, I’d better write something before I go in to see them.’ And that’s when I wrote ‘They Don’t Know.”
Dave Robinson liked the song, wasn’t sure about her voice, hut decided to stick her in a studio anyway, around Xmas 1978. Kirsty was backed by the Edge, which at that time included guitarist Lu Edmunds (fresh from a spell with the Damned), keyboard player Gavin Povey and drummer Jon Moss.
Of Tracey Ullman’s version, she later said “Once a song has been recorded, it’s no longer down to the writer to decide who does it anyway. So anyone can record any song they’ve heard that’s been published. A lot of people do know my version which was a big airplay hit in 1979. It was number two in the airplay charts between Wings and Abba so I think quite a few people heard it. But it didn’t really bother me (when Tracey had the hit version). I don’t mind a bit of reflected glory!”
“It was actually suggested by a friend of mine who worked at Stiff Records. I was on Polydor at the time and having a really bad time with them and I was sort of thinking about selling up everything I had and moving to Spain and being a hippie. My mate suggested that because Tracey had this big hit with her first single, which I think was ‘Breakaway’ – she’d had a much bigger hit than they had expected – and they didn’t have anything else to follow it up so they were looking for material. And basically they thought, I’m there writing the sort of songs that she wants to do and it seemed like a good partnership. I’m grateful for (Tracey) paying the rent! It was fun; it was good.”
The chords for piano & guitar for this song are published in a volume called "Great Women! Great Songs! – 36 Classic hits" by Wise Publications ISBN 0-7119-3442-8 priced £14.95.
Appearances on Various Artists CDs
The song shows up on a 1992 Rhino Records compilation called ‘Stiff Box’ which fills up 4 discs with the best of the Stiff recordings (including Tracey Ullman’s 17 PLACES). Also on ‘Indie Scene 1979’ with the Damned, Lene Lovich, the Monochrome Set and Big in Japan, ‘A Hard Night’s Day (A History of Stiff Records)’, and on the Union Square 2002 release ‘Songbirds’
Cover Versions
This song has been covered so often it has its own covers page! However, we single out Tracey Ullman’ original hit version.
Tracey Ullman (1983)
Tracey Ullman took ‘They Don’t Know’ to Number 2 in September 1983 (and US #8). Phil Chapman, the engineer who mixed Tracey’s version, had this to say in a newsgroup reply:
“I’ve listened to the two and the backing tracks are similarly arranged, but not identical. Tracey’s is a semitone up on Kirsty’s, and, although Kirsty re-sang the backing vocals (the harmonies on the last verse are different), neither of them could get the ‘Baby’ to sound as good as Kirsty’s original, so it was pitched up and ‘flown in.
I may well get corrected on this next point: Although the early TU tracks were recorded with live musicians, the later ones were played to drum machine, sometimes not adding a real drummer. Both versions of TDK sound like they could be machines (the snare sound is pretty consistent), in which case it could be the same basic programme with a different bass, guitar and piano.
Another of my habits from the early days was to mix for radio, usually monitoring through a single loudspeaker in mono. Consequently anything to the sides came out a little louder when listening in stereo, and I kind of like that. Also, TDK is three part harmony, if you include Tracey’s melody as the middle part, and I guess I must have balanced them equally (so Kirsty’s background vocal appears as prominently as Tracey’s lead)”.
Good day,
This song, “They don’t know”, is good by both of the ladies.
The live instruments is a plus.
Those putting the tape/disc together are on top of their game.
On You tube, “Watergate betrayal” by American history, play “They don’t know”, about the 03 minute and 33 second mark, then continue the documentary.
Mr. Geoff Sheppard has 02 talks at YT, too., by Hillsdake college and the Nixon foundation.
Thank you.
I think the lyric should be “I tell the others NOT TO bother me”, rather than “DON’T bother me”, which I think Tracy Ullman sings in her version. Every lyric site seems to make this mistake!
On Kirsty’s single it actually sounds like the multiple vocal track mess up and sing slightly different things, but on the live versions it’s clearly “not to bother me”. A small detail I know but I think it scans much better and is easier to sing.
I don’t think there’s anyone alive who doesn’t recognize the inimitable voice of Kirsty when she cries out “Baby” in the Tracey Ullman version of this song. Little signatures like that have made Kirsty MacColl a unique abiding treasure. Still adorable after all these years. RIP, doll.