Category Archives: Archive

Archived news

All I Ever Wanted (April 2014)

Salvo Records have announced a new 2 CD collection which spans Kirsty’s career from They Don’t Know to Tropical Brainstorm.  It’s nicely put together in the Salvo reissue house style.

“With a delightful, highly dexterous voice and a delicious sense of humour informing a songwriting flair that could rival any of her contemporaries, Kirsty MacColl enjoyed a sparkling career spanning over twenty years before her tragic and untimely passing in 2000.  This thoughtfully-curated selection makes for a detailed study of that career, one that draws together all the hits, album cuts, rare b-sides, live sessions and more.  The accompanying, fully illustrated 52-page booklet features generous and insightful notes.”

Available 7th April 2014

Yum Di Dee Dah

New book by Kirsty’s mother, Jean, now available in paperback!

Yum De Dee Dah — The life story of Theatre Workshop’s choreographer Jean Newlove, Discovering Laban, working with Joan Littlewood and her marriage to writer and singer/ song-writer Ewan MacColl.

This book follows Jean’s story until the birth of her daughter Kirsty (MacColl).

Buy Yum Di Dee Dah (Kindle) from (or from



A New England for Record Store Day

“A New England” was to be reissued as a 7” single on coloured vinyl for Record Store Day on 20th April 2013 (cat no. salvosv004 barcode 698458860477)

1985’s standard seven inch was available in two picture sleeves, by far the most common of which featured a monochrome portrait of Kirsty. Much more scarce was the sleeve featuring a man hoisting a Union Jack flag among the ruins of a bombed-out building. Salvo / Stiff have announced it is their “resounding pleasure to reissue this wonderful record in its rarest colours in an individually numbered, limited run of 500 pieces on blue vinyl.”

The original b-side was “Patrick”, but Salvo have opted for “I’m Going Out With An Eighty Year Old Millionaire” instead (we think a good choice). This was a “typically humorous MacColl composition with a marked Caribbean influence that was previously only available on vinyl on the b-side of the 12 inch single”.

As songwriter Billy Bragg says, “Whenever we had to sing A New England together live, Kirsty always sang it in another key that was really hard for me. I think she thought that I didn’t try hard enough with my singing. You know she’s right! She had an incredible voice. The mark that she made has not dulled in any way since her tragic death. I always say to the crowd at the end of the second verse of A New England that we are going to have a sing a song for Kirsty MacColl and everybody cheers.”

Jean’s letter from Cuba

Dear Friends,

This letter is overdue as i caught bronchitis during my last two days in Cuba and the long trip didn’t help with its three hour delay. However I am much better now. I went with Hamish and three of my dancer friends. As always, at this time of the year, Havana was bathed in glorious warm sunshine.

Your money has been put to very good use and for two days we celebrated the newly renovated Miramar Theatre. Slides of its run down state showed just how much work had gone into the restioration. The auditorium has Kirsty’s name over it and many of the seats have the names of benfactors ,who have also generously supported the Music Fund. The stage is beautidfully proportioned, has a smooth wood floor and the acoustics are excellent. Lighting and sound are first rate, the dressing room accommodation was good and I believe there will be an area for snacks and drinks. This corner plot is in an area where there are many children and not only is the theatre for talented children but it will also be used by local visually impaired children who will be able to use the rehearsal spaces.

Omar Puente, Kirsty’s great friend and superb violinist, arranged the celebratory concerts. He opened the evening with his composition,’Farewell to a Friend’. We are hoping to be allowed to put it on the web site.

Omar had coached the Havana Music School students to play two of Kirsty’s songs and the choir did their very best to sing them in English after only two weeks tuition!! I was so taken by surprise that I cannot remember the first song but the second was, ‘Not in these Shoes’. A young opera singer followed and after speeches from Cuban Solidarity and other officials thanking us, I explained briefly how the theatre had come about. I spoke of the corruption in the Mexican goverments and the hypocrisy and deceit of Gonzalez Nova and his sons who obviously had friends in high places. Justice was never going to be done so Kirsty’s fans and committee decided all the money should go to the Music Fund originally bearing Kirsty’s name. Something good and very worthwhile had been achieved of which Kirsty would be enormously proud. I had an interpreter but the audience showed their deep feelings by standing and clapping. I felt it was important they all knew how it began.

It was then time to celebrate. Folk dancers followed musicians. A contemporary dance choreography by a 16 year old boy was superb. A ‘pas de deux’, performed by a young couple about 12 years old. The male dancer leapt and twirled, obviously heading to be the next Carlos Agosta. Finally the young circus acrobats came on like seasoned troopers. No safety nets, they climbed up each other three oe four people high, upside down some times then leaping lightly to the stage floor. I think the opera singer may have been 17 but the rest of the performerrs were much younger.

We all went out to celebrate at a restaurant which Hamish had found. For 2 pesos, about £2, we could eat a good Cuban meal of rice, beans and roast chicken or meat with wine or beer.

The following day there were young folk dancers. There is no doubt that the youngsters were very proud of their new theatre and congregated outside it with a proprietarial air! We attended two drinks meetings of thanks and one memorable day went to the contemporary dnace, music and circus schools for talented youngsters. We met the young choreographer and congratulated him. I had worked here when visiting nine years ago. I was pleased to see their studio was very much improved.

The music school put on a performance, a violinist acompanied by a pianist, both of a very high standard followed by a group drumming and singing. Then to the circus school where we were told that some youngsters left the classical ballet to join the circus training. I can’t imagine people leaving our Royal Ballet to join up as a circus performer! After that my party went shopping, swimming. All want to go back.

Finally, congratulate youselves. Your support has provided a wonderful background for young talented artists and also for disabled children. Kirsty would be so happy and amazed but then, she is probably watching over it.

Update from Havana

Concert in Havana

Jean attended the gala concert at the Miramar Theatre in Havana, Cuba just before Easter. She says the theater is beautiful, with great sound and ambience. The concert went well and featured many Cuban students and children playing and dancing to a really high standard. The orchestra played some of Kirsty’s songs and Omar Puente played his specially composed piece for Kirsty to much acclaim.

Unfortunately Jean has not been well since her return to England but promises to have a full report from the trip soon.

Here are some video clips shot by Hamish MacColl in the Music School and Circus School in Havana. They do not feature the Miramar Theatre, though they do showcase the young people who will be using it.

Havana National Music School:

Classical piece.wmv

Havana National School of Dance:

Trad Performance.wmv

Havana National Circus School:

Circus perf 01.wmv

Circus perf 02.wmv

Circus perf 03.wmv

Cuba cars 2012.wmv